Double strings game

The double bass is a tough master — demanding strength, stamina and proper technique from its player. As the root of the orchestra, musical and rhythmic accuracy are imperative to the success of the whole — requiring plenty of practice and repetition.

The double bass is the largest and lowest-pitched bowed string instrument in the modern symphony orchestra. The origin of the name of the double bass stems from the fact that its initial function was to double the bass line of large ensembles.

There is no single bass. Even when tuned the same its range is about an octave below the cello. At some time when making your game you will need to use text.

Text in games is dealt with by using the string functions a string is just another way of saying a line of text and GameMaker Studio 2 has a complete set of functions that permit you to manipulate strings in many ways, including the insertion of one string in another, the copying of strings and the ability to parse strings for the digits or the letters that they contain.

In general a string can only be created by adding text within double quotes " " and single quote strings are not accepted, nor can you split the string over multiple lines and expect GameMaker Studio 2 to render it as if the line breaks were newlines unless a string literal identifier is used, as explained below. It is worth noting that there are certain conventions that you can use when creating strings, mostly concerned with using escape characters.

Find the right strings for your bass. This works both ways and a bright sounding bass may benefit from a dark string such as the Pirastro Evah Pirazzi. Consider mixing strings. Many bassists use a Thomastik Spirocore E string to add extra growl and clarity in the lower register. On some sets, the G string can sound too thin and is replaced with a darker sounding, or heavier gauge, such as a gut string. It may be possible to tweak your tone by mixing strings.

Test the strings on the bandstand. Some strings sound great in the practice room, but not on a gig. This can be particularly problematic for jazz bassists, as you need to hear how compatible they are with your amplification. Find the right string gauge for you. In my experience, string gauge is less of an issue when practicing, but in the heat of battle on a gig, it may be critical.

I prefer lighter gauge strings, regardless of the brand. How do the strings feel? Your experiences with strings may be different to other peoples. The player, the strings, the bass, the string height, the pickup and amplifier can all make a difference. The only way to discover what works is to try them. Play as many instruments as possible to learn how different strings perform. They may belong to friends or the stock of a local instrument dealer. What strings do I use?

What strings do I recommend? Beginner's Double Bass by Geoff Chalmers. Soloing by Geoff Chalmers. Who are we?